Tag Archives: a giant leap management

AGL MANAGEMENT: GIANT THE VINE

Liguria (IT)
Luminol Records (IT)
Nu Prog, Post-Rock

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Giant The Vine is an instrumental progressive rock and post-rock band from Italy, known for their intricate and emotive soundscapes. Their latest album A Chair at the Backdoor was released on May 2023 on Luminol Records.
With lush instrumentation and soaring melodies, Giant The Vine creates a sonic journey that transports listeners to another world. Their unique blend of post-progressive and rock music has earned them a dedicated following around the world.
Featuring Antonio Lo Piparo on bass, Daniele Riotti on drums, Fulvio Solari on electric and acoustic guitars and lap steel, and Fabio Vrenna on keyboards, mellotron, electric and acoustic guitars, the music and arrangement of A Chair at the Backdoor is a breathtaking masterpiece that showcases the band’s creativity.
The album was recorded at Greenfog Studio by Mattia Cominotto and Gasoline Smell Studio by Fabio Vrenna, mixed by Mattia Cominotto at Greenfog Studio and mastered by Ronan Chris Murphy (King Crimson, Ulver, Aurora) at Veneto West Studio,

Giant the Vine were born in 2014, on the eastern Ligurian coast, when the two guitarists Fulvio Solari and Fabio Vrenna met and decided to arrange together the 12 songs already composed by Vrenna.
The name of the band mixes the word Giant, from Gentle Giant, with the Vine as a tribute to the pacifist ideal of One for the Vine by Genesis.
With the recordings of the first album, Music for Empty Places (Lizard Records) Daniele Riotti joined on drums and Marco Fabricci on bass (later replaced by Antonio Lo Piparo). The 8-tracks album features a sinuous sound, sometimes nostalgic, influenced by the likes of Mogwai, Secret Machines and Porcupine Tree, but also by the classic style of Genesis, Yes, King Crimson and Gentle Giant.
The ambitious and gently calibrated music, between virtuosity and biting melancholy, is well received by national and international critics. The Canadian publication Italian Progressive named the Giants between the best post progressive bands.
Giant the Vine are currently composing tracks for the next album, focusing on the structure and the shape of the songs more than on experimentation.


To be presented in May ’24, The Heresiarch is the new video from Giant The Vine. The song is taken from their latest album A Chair at the Backdoor (Luminol Records, 2023) and is for sure the peak of the full-length. Angular, pulsating, dynamic and resonating with alternative and post-punk influences, The Heresiarch is a straightforward song, commanding attention.
The track is inspired by the life of Dolcino, a famous heresiarch from early 1300, who took to the extreme the rebellion started by Saint Francis of Assisi, preaching men-women equality, refusing the role of the Church as medium between mankind and God, and living in a sort of hippie commune with no personal belongings.
Accused of Heresy by the Pope, Dolcino was executed by the civil authority with his co-preacher or concubine Margaret of Trent, and his body was cut into pieces and burned.


The video, essential but powerful, uses darkness and lights to highlight the dynamics and the moods of the songs, visually empowering the rhythm’s switches and the crescendos.



PR: mLau – Lullaby for Wendla Bergmann (single)

Artist: mLau
Title: Lullaby for WEndla Bergmann
Format: digital single
Release date: November 09th, 2023
Genres: Alt-folk, electronics, lofi
Hometown: Roma (IT)
PR Territories: Worldwide

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Released November 2023Lullaby for Wendla Bergmann is an alt-folk goth fable.
The song was originally composed and performed by Maria Laura Ronzoni for the play Spring Awakening by the German author Frank Wedekind (1864-1919), a controversial work written in 1891, defined by the author himself “eine Kindertragödie” (a children’s tragedy).
mLau reworked the song adding the electronic arrangements by Massimo Marraccini.
The nursery rhymes, folkish singing is echoed by a dissonant tapestry of sounds, almost martial, a choice made to visualise the contrast between the children’s innocence and the violence of adults.
The video was directed by Daniela Cono, with illustrations by Alessandra Fierro.



GAE VINCI

Milano (IT)
Bloodonthetracks Records
Dream Pop Shoegaze Folk

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Gae Vinci is a Sicilian-born music producer, now based in Milan.
Vinci started releasing music in the mid-2000s, using various nicknames, mostly in the field of electronic sounds. Extremely creative, the artist consistently refuses to be filed under a particular music genre, with his influences ranging from electronic to shoegaze and folk.

Released in May ’23, the album Lonely Ballads finally sees Gae Vinci in the spotlight of his real identity, with all his experiences converging into a songwriting that reflects his real self. All the songs on the album were written and produced by Vinci himself, with the contribution of other musicians and singers who joined him in his studio. At the end of 2022, Gae Vinci started the independent label BLOODONTHETRACKS, as a platform to release the music he produced and sounds he believes in.

Lonely Ballads, Gae Vinci debut album, was written and recorded in Milan and is composed of 10 tracks, with a running time of roughly 55 minutes.
The world seems to spin faster and faster, in particular after the events that have occurred in the past few years and the burden of the COVID pandemic.
While confident people, obsessed with material wealth, seem to have found the right balance to timeless happiness, Gae Vinci, with his music, tries to follow the opposite direction by describing another side of society.
In his music you can feel romanticism (by now rare), the melancholy of a past that perhaps never existed, the awareness that nothing lasts forever and an atmosphere characterized by loneliness and mystery.
Gae Vinci’s music is strongly influenced by Dream Pop, Shoegaze and Folk.
The sounds of these genres, represented in a modern key, are clear in Lonely Ballads.
Almost all the tracks are sung by the American singer Cosette Gobat, who collaborated with Gae for most of the recording time.
Lonely Ballads is the first and the title track of the album, a clear introduction to the world of the producer. It is a melancholic ballad in a loner and paranormal universe that, with the following tracks, gets brighter and brighter. It feels like the sun on a spring afternoon, a warm wind that wraps you.
Who Are You Now? and Camelie have the same structure, two tracks travelling to a landscape away from the ordinary world.
Gae Vinci’s love for Folk music is crystal clear in My Favorite Color and Angel. Both songs are built around the sound of acoustic guitar, but the first one is a classic romantic ballad while the second one brings deeper shades.
Summer Is Too Long switches to a six minutes train ride into a 90’s shoegaze atmosphere, followed by the interlude Vision of Doom, kind of a tribute to Robin Guthrie.
All The Times then comes in to obfuscate your senses, the same feeling of when you have drunk too many drinks, followed by You’ve Come A Long Way Baby, a 10 minutes sonic trip with sounds exploding, making you wonder if you forgot to turn off your amps. Ashes is the last track of the album, and as a perfect circle it connects with the first track, going back to the same mood and sounds, so that the end is the beginning and vice versa.

Right after the album release, Gae Vinci gathered the best line up to offer the songs on stage, where he is now joined by guitarist and long time collaborator Tommaso M. Storari, bass player Marco Azzerboni, known as member of the cult italian post punk group ART Boulevard, Lorenzo Guastoni at drums and Misha Chylkova as female vocals. Misha was born in Czech Republic but has been living in England for longtime, also collaborating with artists such as Ian Button (Death In Vegas) and Darren Hayman (Hefner) .

Lonely Ballads is my first album, I gave it everything I’ve got, and the result is very intimate. Honestly, I feel anxious about the release of the album but I’m also excited and grateful to each person that has helped me to realise this project. Alone, this couldn’t be possible.” Gae Vinci

When Gae Vinci met The KVB at a festival on the Alps in June the idea of a collaboration was born.
The acclaimed audiovisual duo from Southampton, Nicholas Wood and Kat Day, added their electronic synth pop marvellous palette to All The Times.
A kind of sounds similar to The KVB latest releases, still grounded in indie psychedelia.
The Remix was released, with a video, on October 27th, 2023.

MEDIA LINKS (AGL PR)
Revista the 13th (ARG)
Turn Up the Volume (BE)
Selection Sorties (FR)
Radio Coop (IT)
Thinkers’ Music (Spotify)

Smooth Retro Pop (Spotify)

Bushwick Garage / Radio Free Brooklyn (US)

Your First Listen / Ken’s FM 89.1 (US)


PRESS QUOTES
Showing that style that Gae has honed and felt on every level, we hear the experimentation and feeling in the notes and noise that Gae calls his home. As pure of a soundscape that I can remember, Gae has created a world with ‘Summer Is Too Long’ that’s hard to escape when you hear it, but would you want to?
Jammerzine (US)

(Camelie) it is a fascinating dreamy track that is reminiscent of a combination of Air , Broadcast and the first Goldfrapp records. You could call it psychedelic dream pop.
Luminous Dash (BE)

Tra sogno e realtà, attraverso atmosfere sospese e sognanti e tempi che perdono la
bussola, Gaetano Vinci ci porta nel suo personale mondo fatto di dream pop e influenze shoegaze.
Un bel viaggio corposo, denso, pensato e finemente realizzato. 71/100
Rumore (IT)

Il suono sottile di un folk intimo e minimale si alterna a momenti shoegaze industriali e distorti.
Raro Più Magazine (IT)

Nette contrapposizioni elettriche, riverberi e distorsioni shoegaze che rimandano a visioni londinesi: telecaster e batteria alternate a sonorità camaleontiche di basso come in Camelie dove la calda voce di Cosette Gobat sfuma in malinconiche tonalità vintage.
Vinile (IT)

Un grande esordio di un artista da tenere d’occhio.
Buscadero (IT)